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・ Robert Atkinson (philologist)
・ Robert Anstruther (MP)
・ Robert Antelme
・ Robert Anthony Ainsworth
・ Robert Anthony Brucato
・ Robert Anthony Buell
・ Robert Anthony Daniels
・ Robert Anthony Hatcher
・ Robert Anthony Krieg
・ Robert Anthony Maurice Palmer
・ Robert Anthony Robinson
・ Robert Anthony Siegel
・ Robert Anthony Toigo
・ Robert Anthony Welch
・ Robert Antoine
Robert Antoine Pinchon
・ Robert Anton
・ Robert Anton Wilson
・ Robert Antoni
・ Robert Antoni (disambiguation)
・ Robert Antonioli
・ Robert Antrobus
・ Robert Anwood
・ Robert ap Huw
・ Robert ap Maredudd
・ Robert Appelbaum
・ Robert Appleby
・ Robert Appleby (MP)
・ Robert Appleby Bartram
・ Robert Appleby Bartram (British Army officer)


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Robert Antoine Pinchon : ウィキペディア英語版
Robert Antoine Pinchon

Robert Antoine Pinchon (July 1, 1886, Rouen – January 9, 1943, Bois-Guillaume) was a French Post-Impressionist landscape painter of the Rouen School (''l'École de Rouen'') who was born and spent most of his life in France. He was consistent throughout his career in his dedication to painting landscapes ''en plein air'' (i.e., outdoors). From the age of nineteen (1905 to 1907) he worked in a Fauve style but never deviated into Cubism, and, unlike others, never found that Post-Impressionism did not fulfill his artistic needs. Claude Monet referred to him as "a surprising touch in the service of a surprising eye".
Among his important works are a series of paintings of the River Seine, mostly around Rouen, and landscapes depicting places in or near Upper Normandy.
==Early life==

Robert Antoine Pinchon was born into an artistic and literary environment. His father, Robert Pinchon, a librarian, journalist, playwright and drama critic,〔(Une ville pour l’impressionnisme, Monet, Pissarro et Gauguin à Rouen, Musée des Beaux-Arts, Rouen, 2010 ) (pdf)〕〔(latelierdutemps.com )〕 was an intimate friend of Guy de Maupassant and also became a close protege of Gustave Flaubert. Maupassant and Robert Pinchon (''La Tôque'', as they called him) co-wrote in 1875 a script for a play entitled ''A la Feuille de Rose, Maison Turque'', on the subject of eroticism and prostitution. The piece was presented officially on 15 May 1877 at the studio of Maurice Leloir, in front of Gustave Flaubert, Émile Zola, Ivan Turgenev and eight elegantly dressed masked women.〔(Guy de Maupassant and Robert Pinchon, 1875, A la Feuille de Rose - Maison Turque )〕
Since his son showed early signs of interest and aptitude in the arts, Robert Antoine's father purchased a box of oil paints and accompanied him on long Sunday painting walks. An 1898 photograph shows him painting at the age of twelve. He exhibited some of his first paintings in 1900 at fourteen years of age.〔〔François Lespinasse, ''Robert Antoine Pinchon: 1886–1943'', 1990, repr. Rouen: Association les amis de l'École de Rouen, 2007, ISBN 9782906130036 〕
In 1900 Robert Antoine exhibited a painting in the storefront of a camera supply store owned by Dejonghe and Dumont in the rue de la République, one of the principle arteries of central Rouen.〔 Though not a typical showspace, it was nonetheless visible to the public and located only a few meters from ''l'Hôtel du Dauphin et d'Espagne'', known for its exhibitions of artists such as Gauguin, Monet, Pissarro, Degas, Renoir, Cézanne, Guillaumin and Sisley.〔(Paul Gauguin (1848-1903) ), Association des Habitants du Quartier Jouvenet 〕 The art critic Georges Dubosc wrote an article about Pinchon's painting in ''Le Journal de Rouen'' (16 March 1900).〔

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